Author Archive

Our Webinar on How to Mix Ambient Light with Flash Was Recorded and Is Now Available As a Video

Written by Fredrik Franzén on . Posted in Lighting Tips

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On November 19, we did a live webinar with Jared Platt on how to achieve a natural looking result when mixing ambient light with flash on location. Did you miss it? Don’t worry. The webinar was recorded and is now available as a video.

This was the last Profoto webinar for this season. All six episode of On Location with Jared Platt, plus all four episodes of Light Shaping with Mark Wallace, were recorded and are now available as videos on our webinar page.

We will now take some time off the webinars and plan for what to do in the future.

Any ideas? Do you want more webinars or not?

If yes, what would you like us to focus on? How can we improve?

If no, what would you rather see? Short video tutorials? FAQs? Actual workshops on site?

Leave a comment below and let us know!

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Truthfully Now, How Much Difference Is There Between A White, Silver And Translucent Umbrella Deep?

Written by Fredrik Franzén on . Posted in Portrait Photography

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ContactSheet 002b KLARAG umbrelladeep Truthfully Now, How Much Difference Is There Between A White, Silver And Translucent Umbrella Deep?

© Klara G

How much difference does it really make if you shoot with a silver Umbrella Deep, a white Umbrella Deep or a translucent Umbrella Deep? To find the answer, we asked photographer Klara G to do a little test for us. Here are the results. 

The umbrella is to photographers what the Technics SL-1200 is to DJs. In other words, the umbrella is, by far, the most common and most widely used Light Shaping Tool out there. It is so for a good reason. The umbrella is affordable, very easy to use, and extremely easy to fold and bring with you to an on-location shoot.

But that does not mean you cannot be creative and do a lot of different things with them. For instance, how you position and direct your umbrella has a huge effect on the light character. What size and shape of umbrella you use is also a determining factor.

Then there is the fact that most brands of umbrellas are available in different fabrics. All four sizes (small, medium, large and XL) of Profoto Umbrellas are available in white, silver and translucent versions. In addition, the white and silver versions can be equipped with diffusers, while there is a Backpanel for the translucent one. Adding any of these accessories will also change the light character.

But truthfully now, how much difference is there really between a white, silver and translucent umbrella. And how much difference do the accessory really make?

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Man on Wire. Flash in Face. Chasm Below.

Written by Fredrik Franzén on . Posted in Sports Photography

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CavemanCollective Profoto 31 600x400 Man on Wire. Flash in Face. Chasm Below.

© Andrew Bydlon

What do you do if you have a friend who strings lines across mountain chasms and walks across? Do you tell him to please stop? Or do you put a 500Ws flash in his face while he is walking across? Andrew Bydlon did the latter. And the result looks pretty darn cool. 

Remember this? If not, here is the short version: On August 11, 2014, we announced the release of Air Remote TTL-N – the clever little divide that allows Nikon shooters to do TTL with the B1 Off-Camera Flash.

To celebrate its release, we asked you guys to pitch us your best idea for a shoot, and promised to send whoever came up with the most exciting idea a B1 and an Air Remote TTL-N. That someone turned out to be outdoor photographer Andrew Bydlon. Andrew wanted to shoot his friend Scott walking across a line stringed across a mountain chasm. But to do so, he needed something portable yet really powerful. And that he got.

Now, Andrew has done his shoot and returned to us with some pretty stunning shots and a short story about the shoot, both if which you will find below.

When you are done reading his story, head over to The Caveman Collective for more jaw dropping cool outdoor shots. Read More

Tobias Björkgren Brings Our Brand New Octa Softbox To A 400-Year-Old Castle

Written by Fredrik Franzén on . Posted in Fashion Photography

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Vanessa Hulot Green Envy 2 octa softbox3 Tobias Björkgren Brings Our Brand New Octa Softbox To A 400 Year Old Castle

© Tobias Björkgren

A new softbox has been added to Profoto’s growing assortment of RFi Softboxes. It is an octa softbox. A four-foot octa to be precise. Not too big, not too small. Just perfect. Swedish photographer Tobias Björkgren has tried it out. Here is his story.

Ulfsunda Castle in Sweden is old. More than 100 years older than the United States in fact. Built in 1647 during The Thiry Year War, the castle has seen its fair share of historical figures and events.

Latest in line is the world’s first shoot with our brand new octa softbox: the Softbox RFi 4’ Octa. The shoot was done by Swedish portrait and fashion photographer Tobias Björkgren. As historic events go, it might not be able to compete with royal declarations and weddings. Still, we think it deserves its own story.

I shot at Ulfsunda Castle because I wanted to create a feeling of indifferent luxury,” says Tobias. “The model Vanessa Hulot is French and I knew the styling would be quite elegant, so I wanted to play off that. But I didn’t want it to get too serious. It should be like “hey, I live in a castle but I don’t care!

That said, I didn’t want it to get too nice and clean,” adds Tobias. “That is why I wanted to add an element of surrealism to the equation. I didn’t just want elegance. I wanted it to feel a bit dirty and cool too.”

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Jeremy Snell Uses the New Umbrella Deep S to Create a Beautiful Light in the Harsh Sun

Written by Fredrik Franzén on . Posted in Portrait Photography

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Get the shot Jeremy Snell1.jpg1 Jeremy Snell Uses the New Umbrella Deep S to Create a Beautiful Light in the Harsh Sun

© Jeremy Snell

Humanitarian photographer Jeremy Snell recently packed his bag and went to Nairobi to shoot some portraits on location. The trip required a lighting solution that was light enough to carry around, but powerful enough to overpower the African sun. Plus, Jeremy knew that the gear had to be able to take a beating. Keep reading to learn what solution he found.

The Shoot

Hawaii-based photographer Jeremy Snell was asked to shoot a series of promotional images for the charity organization Serving Orphans Worldwide. The assignment required Jeremy to travel to Nairobi to photograph the children living at one of the organizations many orphanages.I grew up traveling, so photographing people from all over the world is a natural thing for me,” says Jeremy. “I’ve always known I wanted to be a humanitarian photographer ever since.

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