Posts Tagged ‘AcuteB2’

The Question that Got Portrait Photographer Rémi Chapeaublanc to Get on a Motorbike and Drive to Mongolia

Written by Fredrik Franzén on . Posted in Portrait Photography

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French portrait photographer Rémi Chapeaublanc travelled all the way from Paris to Mongolia, driven by the desire to find the answer to a deceptively simple question: “who is this person standing in front of me?”

“I often end up doing projects which are kind of crazy,” says portrait photographer Rémi Chapeaublanc. And he is not exaggerating. After having his motorcycle license for just two weeks, he packed his camera, an AcuteB2 battery pack, an Air Sync and an RFi soft box, and started driving towards Mongolia.

After he had reached his destination and spent some time with the Mongolian people, an idea started to form in his head. He was going to take their portraits, one by one, with the same process and the same setup. The idea was that by keeping it simple, he would be able to focus on the person in front of the camera, see beyond the surface and ask himself: “who is this person?”

An inspiring ambition and a great testament to the power of portrait photography.

See more of Rémi’s work at his website.

 

Portrait photographer Remi Chapeaublanc gods and beasts 1 600x399 The Question that Got Portrait Photographer Rémi Chapeaublanc to Get on a Motorbike and Drive to Mongolia

©Rémi Chapeaublanc

The Story Behind the Accidential Yet Award-winning Portrait of the Queen of Sweden

Written by Fredrik Franzén on . Posted in Portrait Photography

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The Story Behind the Accidential Yet Award winning Portrait of the Queen of SwedenSTOR  MG 0164 600x900 The Story Behind the Accidential Yet Award winning Portrait of the Queen of Sweden

©Rickard L. Eriksson

Rickard L. Eriksson was asked to take the Queen of Sweden’s portrait. Doing so, Rickard accidentally managed to catch the Queen off guard and got an award-winning portrait in the process. Keep reading for the full story.

Queen Silvia of Sweden recently celebrated her seventieth birthday. The anniversary was to be commemorated by a lavish tabletop book, documenting the Queen’s life as a professional woman. The book would, of course, feature portraits of the Queen – portraits that Rickard L. Eriksson was asked to shoot.

“My first thought was to create images that felt natural yet styled,” says Rickard. “Differently put, I wanted the images to feel documentary yet royal. However, getting that documentary feel is easier said than done when working with royalty. In most cases you’re allowed very little time to do your job, which means you’ll most likely end up with a formal portrait of a posing person. But in this case I was lucky enough to spend some time with the Queen. I believe this created a much more relaxed and personal vibe on the shoot.” Read More

How to Make a Dirty Car Shine Like a Winner

Written by Fredrik Franzén on . Posted in Commercial Photography

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 How to Make a Dirty Car Shine Like a Winner

Most of us associate car photography with chrome and meticulously polished metal. But the Porsche GT that Richard Dole shot had just won a 24-hour long Daytona race and was far from clean. It was covered in dirt and grit. Keep reading to learn how he got his shot.

The 24 Hours of Daytona is a 24-hour sports car endurance race held annually at Daytona International Speedway in Daytona Beach, Florida. Needless to say, the 24-hour long race takes its toll on the racecars. By the time they cross the finishing line, they are covered in dirt and grit.

This year, a Porsche GT from CORE Autosport in Rock Hill, South Carolina, was the first car to cross the finishing line. This car was also the one photographer Richard Dole was asked to shoot on behalf of RACER Magazine.

“This was an unusual assignment,” says Richard. “They wanted me to photograph the car still covered with the dirt, oil, rubber, grease and grime accumulated from the race. And it had to be photographed not in a studio, but in the winning team’s race shop.”

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The Difficult Thing About Finding Portrait Subjects Amongst 100 Million People

Written by Fredrik Franzén on . Posted in Portrait Photography

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Profoto AcuteB2 MaxRiche KumbhMela 08 600x449 The Difficult Thing About Finding Portrait Subjects Amongst 100 Million People

©Max Riche

Max Riche traveled to Kumbh Mela, the largest pilgrimage in the world, to shoot some portraits. Needless to say, he had no problem finding subjects. But there were other challenges.

You might not know what Kumbh Mela is, but a lot of people sure do. And when we say a lot, we do mean a lot. Kumbh Mela is namely the Hindu’s most important pilgrimage, considered to be the largest peaceful gathering in the world. More than 100 million people participate and bathe together in one of the four sacred rivers in India. Last year, the number of participants hit an all-time high, making it the largest gathering in the history of mankind. In other words, a photographer looking for subjects had no trouble finding them.

Enter Max Riche, advertising and editorial photographer based in Paris and Montréal. Max was at Kumbh Mela last year. Now, what was a French advertising and editorial photographer doing shooting portraits in India you might ask?

“On the side of my advertising work, I’ve always kept a body of personal work growing,” he says. “I think it’s important to keep doing work that matters to you from a personal standpoint. This was such a project. Read More

Mark Wallace’s Lighting Tips for Shooting On-location at Mid-day

Written by Mark Wallace on . Posted in Lighting Tips

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Mark Wallaces Lighting Tips for Shooting on Location in mid day Mark Wallaces Lighting Tips for Shooting On location at Mid day

©Mark Wallace

Shooting portraits on-location can give you terrific results. If the light is right things are a snap, but what happens when we have less than ideal conditions? With a bit of knowledge, and the right tools, you can even shoot outside at almost any time of day. A few months ago I was faced with a challenge. I needed to shoot a portrait using soft light the harsh desert light at mid-day. The light was absolutely horrible. Here’s how I tackled the issues.

 

Step One: Control the Ambient Light.

Screen Shot 2014 01 10 at 9.35.22 PM 600x358 Mark Wallaces Lighting Tips for Shooting On location at Mid day

The first thing I do when shooting on-location is to control the ambient light as much as possible. In this scenario I was shooting in an area with no shade at all. I set up a large translucent umbrella to shade my model. This softened the light and also took my exposure on the model down by about one stop. You can see in this photo that my model is in shade but the background is still in the sun.

I used my light meter to find the correct exposure for the background. In my test shot you can see that the background is exposed properly but my model is underexposed. An underexposed model means I would be able to use my flash to shape the light hitting her. This was shot at ISO 100, 1/200 @ f/11. Read More