Posts Tagged ‘Air Remote TTL-C’

What’s the Difference Between a Bare Head and an Umbrella Deep?

Written by Jared Platt on . Posted in Lighting Tips

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What’s the Difference? is a series of video lighting tutorials. Each episode responds to a single question. In this episode, Jared Platt compares a bareheaded off-camera flash with an umbrella deep. The entire series, including all videos, articles and lighting diagrams, is available at our website. And feel free to leave a question in the comment section if you have one!

In the mountains of Utah is a little storybook valley called Midway, where we shot this child life portrait. As the sun, diffused by the thin cloud cover on the horizon, prepared to drop below the mountaintops, it threw warm light across the sky and the lake shimmered in the warm glow. It was a perfect landscape backdrop to our adventure story.

Our goal for this shoot was to compare the effect of a bareheaded flash to that of an Umbrella Deep Silver M. Our main light was the B2 Off-Camera Flash, which was used with and without the umbrella. Between our two shots, the main light was the only light we changed, but there were three total lights on the set. A single B2 battery pack was powering two B2 Heads, our main light to light the children (set off to the right of the frame), and a second light (placed off frame right behind the children) for the purposes of adding a slight rim light on the children and a little extra light on the ground behind them. To separate the second B2 Head from the battery pack, an Extension Cable 3M was used.

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On To Light Shaping: Jared Platt Takes on the Desert Sun

Written by Harley Anderson on . Posted in Videos

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On to Light Shaping is a new video series in which get to see 18 renowned portrait and wedding photographer create magic with Profoto Off-Camera Flash. In this video we join photographer Jared Platt for a shoot in the sunny and harsh desert sun. When you are done watching, click here to see the rest of the series.

Jared Platt is a photographer, lecturer, educator, writer, and imaging consultant based in Phoenix, Arizona. On a recent jaunt to South Mountain – the regional Mecca of mountain biking located in the Phoenix Reserve, Jared took Profoto’s new B2 Off-Camera Flash for a real-world test drive.

The lighting at the location was as expected – bright, sunny and harsh. This meant the B2’s 250 Ws of powerful would be put to good use. As everybody was getting to the location by bike, the B2’s compact size and light weight was also a huge help.

To paraphrase Jared, “One of the crazy things about the B2 is that we were able to fit a 250ws flash pack, an Umbrella Deep Silver S, and a collapsible monopod into a small backpack designed to carry a camera and lens. The entire lighting system fit into a backpack… it weighed maybe a little over 7lbs!”

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What’s the Difference Between On and Off-Camera Flash?

Written by Jared Platt on . Posted in Videos

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What’s the Difference? is a series of video lighting tutorials. Each episode responds to a single question. In this episode, Jared Platt compares shooting on and off camera. The entire series, including all videos, articles and lighting diagrams, is available at our website. And feel free to leave a question in the comment section if you have one!

We found a perfect little spot in the Japanese Friendship Gardens in Phoenix, Arizona, to take a portrait of our little ring bearer peeking in on the rings. The bearfoot ring bearer was perfect for this lush setting.

It was a beautiful afternoon and the shade of the gardens was a perfect spot for making images. Behind the subject, I had plenty of direct sunlight dappling through the trees, but the soft, open shade around him made taking a portrait comfortable and uncomplicated.

Our goal with the shot was to compare an on-camera flash to an off-camera flash. In both cases, we used only one light (aside from the sun).

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On to Light Shaping: At the Speed Of Light with Simeon Quarrie

Written by Rebecca Ahremark on . Posted in Videos

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On to Light Shaping is a new video series in which get to see 18 renowned portrait and wedding photographer create magic with Profoto Off-Camera Flash. In this video we join photographer Simeon Quarrie for a fun and fast pre-wedding photo shoot. When you are done watching, click here to see the rest of the series.

Wedding and commercial photographer Simeon Quarrie is based in London, UK, but has the whole world as office. Simeon, who lives a life of travel, values gear that is lightweight and fits into a suitcase. “The lighter you can travel, the better it is”, he says.

This particular shoot required Simeon and his small crew of three to fly to Cancun, Mexico. He brought his shining new Profoto Off-Camera Flash system with him. “It’s wicked to be able to fit camera, lenses, a B2 battery pack, two B2 Heads and modifiers in a single bag,” says Simeon. “I remember Kornel, my assistant, looking at the B2 and saying: ‘Well, guess I’m out of a job then!’”

In Cancun, Simeon and his team met up with the young couple for what is known as the pre-wedding session. This is basically a more relaxed and casual version of the main wedding shoot. In addition to often resulting in heart-warming, fun images, Simeon claims that the pre-wedding shoot is also a great way to get to know the couple better and help them relax in front of the camera.

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On To Light Shaping: How Tom Munoz Created His Exotic Portrait

Written by Harley Anderson on . Posted in Videos

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On to Light Shaping is a new video series in which get to see 18 renowned portrait and wedding photographer create magic with Profoto Off-Camera Flash. In this video we join photographer Tom Munoz as he captures exotic bridal portraits in Coconut Grove Florida. When you are done watching, click here to see the rest of the series.

One of the benefits of living and working in south Florida is the availability of a number of colorful locales in which you can take amazing portraits. Fort Lauderdale-based Tom Munoz captured this striking bridal portrait in one of these locales, Vizcaya Gardens, located in Coconut Grove Florida.

Though the sun was shining, the ambient light falling upon the area surrounding the secluded stone sitting area Munoz planned on using for a bridal portrait was in deep shadow. To remedy the problem of the existing flat and less-than-flattering ambient light, Munoz had his assistants set up two lights.

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