Posts Tagged ‘Air Remote’

Moose Peterson’s Air Remote TTL-N Review: “The TTL Is a Miracle!”

Written by Rebecca Ahremark on . Posted in Review

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Moose Peterson Air Remote TTL N 1 Moose Petersons Air Remote TTL N Review: The TTL Is a Miracle!

© Moose Peterson

Moose Peterson is a dedicated photographer and educator who has spent years photographing endangered wildlife. Lately, however, Moose’s eyes have turned to aviation photography. For this shoot of the FM-2P Wildcat, Moose used his flash to bring life to the ambient light. Being a Nikon ambassador, Moose brought a Profoto B1 Off-Camera Flash and the recently released Air Remote TTL-N for Nikon to the shoot. Here is what he has to say about his new tools. 

“I’d come up with this portrait idea a month prior to the shoot knowing I’d have the new Air Remote TTL-N remote unit for my favorite flash, the Profoto B1. The i-TTL system for the Profoto so fits my style of photography because I’m using the flash to bring life to the ambient light. The flash is the main light lighting the subject and the ambient being the fill light, setting the stage for the subject.

“The beauty of the Air Remote TTL-N from Profoto is the multi level of control you have over the light while using the computer in the camera!” Moose continues. “There are three channels so you can effectively change the output of lights on those three channels wirelessly and via TTL exposure control. At the same time, you can fine tune the output of each flash via its power control. It makes the power and simplicity of the Profoto B1 such a powerful creative lighting tool!”

Head over to Moose’s blog for the full story plus a behind-the-scenes video and a few more stunning shots of pilots and planes.

Walk Through a Wedding, Part 14: The Cake Cutting

Written by Rebecca Ahremark on . Posted in Wedding Photography

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Walk Through a Wedding is a yearlong video series on wedding photography, in which we follow Justin & Mary Marantz as they set out to capture a young couple’s most special day.

The series consists of 20 videos. Each video reveals the story and the lighting setup behind a certain image. In the fourteenth episode, Justin & Mary talk about how they capture the cutting of the wedding cake.

At this point in the reception we try to remain unobtrusive so we keep our lighting off to the side”, says Justin. “Things tend to happen really quickly during the cake cutting, so it’s always great to have a second angle.”

So, what setup did they use to light the cake cutting moment? The answer is: two B1 Off-Camera Flashes, wirelessly controlled with the Air Remote TTL-C. The off-camera flash to the right was equipped with an Umbrella Deep Translucent L while the one to the left had a Zoom Reflector on it.

When everything was in place, Justin got in front of the couple and took the traditional shot, while Mary went of to the side to get an alternative shot from a 120° angle.

Click play to dive a bit more into the details.

Previous episodes of Walk Through a Wedding can be found here. The next video will be released on November 3.

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Using Strip Softboxes To Create A Dramatic Portrait on Location

Written by Andrea Belluso on . Posted in The Light Shaper

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Andrea Belluso is an experienced photographer with more than three decades in the business. Once a month, Andrea takes us behind the scenes of a recent shoot to share some of the knowledge he has gained over the years. This time he brings strip softboxes to a murky hangar to shoot an elegant yet dramatic portrait of an old friend of his.

Flying gliders and taking pictures are two of my greatest passions in life. Being able to combine these two passions is even better! So, needless to say, the day I photographed my old friend and flying instructor Peder Ek (who also happens to be a great photographer) at our flying club was a pretty awesome day at work.

As if that wasn’t enough, I wasn’t just taking Peder’s portrait. At the same time, I was also shooting the finest aircraft we have at our flying club – the two-seated glider Dou Discus. She is such a beauty!

Right from the start I knew I wanted the image to be an elegant and timeless yet dramatic portrait of an experienced pilot and his beloved flying machine. In short, I wanted something that made Peder justice. He is a thoughtful and straightforward kind of guy. The image should be the same.

So how did I do that?

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Jeremy Snell Uses the New Umbrella Deep S to Create a Beautiful Light in the Harsh Sun

Written by Fredrik Franzén on . Posted in Portrait Photography

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Get the shot Jeremy Snell1.jpg1 Jeremy Snell Uses the New Umbrella Deep S to Create a Beautiful Light in the Harsh Sun

© Jeremy Snell

Humanitarian photographer Jeremy Snell recently packed his bag and went to Nairobi to shoot some portraits on location. The trip required a lighting solution that was light enough to carry around, but powerful enough to overpower the African sun. Plus, Jeremy knew that the gear had to be able to take a beating. Keep reading to learn what solution he found.

The Shoot

Hawaii-based photographer Jeremy Snell was asked to shoot a series of promotional images for the charity organization Serving Orphans Worldwide. The assignment required Jeremy to travel to Nairobi to photograph the children living at one of the organizations many orphanages.I grew up traveling, so photographing people from all over the world is a natural thing for me,” says Jeremy. “I’ve always known I wanted to be a humanitarian photographer ever since.

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Here’s How Ian Ruhter Created His Celebrity Portrait

Written by Ian Ruhter on . Posted in Portrait Photography

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Heres how Ian Ruther Created His Celebrity Portrait3 Heres How Ian Ruhter Created His Celebrity Portrait

©Ian Ruhter

In a recent video, entitled The Making of a Celebrity Portrait,  wet plate maestro Ian Ruhter made us question the celebrity culture and how we perceive ourselves. In this post Ian will show you how the portraits were done. Here is the story, in his own words.

The #iamthecelebrity project aims to gain a fuller picture of what we look like today, through our own self-portraits. This idea of creating a self-portrait was presented to me by my friends at Profoto. The idea morphed into something greater, because I was a bit weary of making a self-portrait of myself. We made a video showcasing this journey, entitled The Making of a Celebrity Portrait. The title speaks to the images that influence our own image everyday and how we portray ourselves.

What we wanted to do is to create a tighter photograph than we usually make. This meant we were going to build an entirely new camera. After discussing this with my crew we came up with the idea of turning our office into a camera. This would give us a lot more space to work within.

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