Posts Tagged ‘Air Remote’

Shutterbug’s Profoto B1 Off-Camera Flash Review: “The Battery Design and Capacity are exemplary.”

Written by Rebecca Ahremark on . Posted in Review

Bookmark and Share

Shutterbugs Profoto B1 Off Camera Flash review.jpg Shutterbugs Profoto B1 Off Camera Flash Review: The Battery Design and Capacity are exemplary.

Shutterbug is a magazine dedicated to serious photo enthusiasts and working professionals. Recently, Shutterbugs’s staff writer Steve Bedell put the Profoto B1 Off-Camera Flash and the Air Remote TTL-C to the test. Read his review to learn what he thinks about them. 

“Like all Profoto gear, the B1 lights and accessories are built to take years of hard use,” writes Shutterbug’s Steve Bedell. “I particularly like the lamp head design where you just throw a cap on it and you don’t worry about breaking anything. The battery design and capacity are exemplary.”

Steve wanted to try the B1 Off-Camera Flash and Air Remote TTL-C on location. Doing so, he tried a few different setups. For instance, he did one in Atlantic Gymnastics in Dover, New Hampshire, where he used two B1 Off-Camera Flashes, one Umbrella Deep White L and his Air Remote TLL-C.

His conclusion?

“The Air Remote TTL-C controller is so simple to use that you’ll be off and running in five minutes. Once you get used to using it, the integration of radio control plus TTL makes everything else seem like old tech.”

“They set up quickly and can get you accurate exposures with little effort on your part. With the cost of top-of-the-line speedlights going for $550 to $600 with only a fraction of the power, the B1 lights make economic sense for many applications. If you have the need and the budget, these lights should be high on your shopping list.”

Click here to read the detailed review at Shutterbug’s website.

If you want to learn more about Profoto B1, click here

Man on Wire. Flash in Face. Chasm Below.

Written by Fredrik Franzén on . Posted in Sports Photography

Bookmark and Share
CavemanCollective Profoto 31 600x400 Man on Wire. Flash in Face. Chasm Below.

© Andrew Bydlon

What do you do if you have a friend who strings lines across mountain chasms and walks across? Do you tell him to please stop? Or do you put a 500Ws flash in his face while he is walking across? Andrew Bydlon did the latter. And the result looks pretty darn cool. 

Remember this? If not, here is the short version: On August 11, 2014, we announced the release of Air Remote TTL-N – the clever little divide that allows Nikon shooters to do TTL with the B1 Off-Camera Flash.

To celebrate its release, we asked you guys to pitch us your best idea for a shoot, and promised to send whoever came up with the most exciting idea a B1 and an Air Remote TTL-N. That someone turned out to be outdoor photographer Andrew Bydlon. Andrew wanted to shoot his friend Scott walking across a line stringed across a mountain chasm. But to do so, he needed something portable yet really powerful. And that he got.

Now, Andrew has done his shoot and returned to us with some pretty stunning shots and a short story about the shoot, both if which you will find below.

When you are done reading his story, head over to The Caveman Collective for more jaw dropping cool outdoor shots. Read More

Moose Peterson’s Air Remote TTL-N Review: “The TTL Is a Miracle!”

Written by Rebecca Ahremark on . Posted in Review

Bookmark and Share
Moose Peterson Air Remote TTL N 1 Moose Petersons Air Remote TTL N Review: The TTL Is a Miracle!

© Moose Peterson

Moose Peterson is a dedicated photographer and educator who has spent years photographing endangered wildlife. Lately, however, Moose’s eyes have turned to aviation photography. For this shoot of the FM-2P Wildcat, Moose used his flash to bring life to the ambient light. Being a Nikon ambassador, Moose brought a Profoto B1 Off-Camera Flash and the recently released Air Remote TTL-N for Nikon to the shoot. Here is what he has to say about his new tools. 

“I’d come up with this portrait idea a month prior to the shoot knowing I’d have the new Air Remote TTL-N remote unit for my favorite flash, the Profoto B1. The i-TTL system for the Profoto so fits my style of photography because I’m using the flash to bring life to the ambient light. The flash is the main light lighting the subject and the ambient being the fill light, setting the stage for the subject.

“The beauty of the Air Remote TTL-N from Profoto is the multi level of control you have over the light while using the computer in the camera!” Moose continues. “There are three channels so you can effectively change the output of lights on those three channels wirelessly and via TTL exposure control. At the same time, you can fine tune the output of each flash via its power control. It makes the power and simplicity of the Profoto B1 such a powerful creative lighting tool!”

Head over to Moose’s blog for the full story plus a behind-the-scenes video and a few more stunning shots of pilots and planes.

Walk Through a Wedding, Part 16: The Cake Cutting

Written by Rebecca Ahremark on . Posted in Wedding Photography

Bookmark and Share

Walk Through a Wedding is a yearlong video series on wedding photography, in which we follow Justin & Mary Marantz as they set out to capture a young couple’s most special day.

The series consists of 20 videos. Each video reveals the story and the lighting setup behind a certain image. In the sixteenth episode, Justin & Mary talk about how they capture the cutting of the wedding cake.

At this point in the reception we try to remain unobtrusive so we keep our lighting off to the side”, says Justin. “Things tend to happen really quickly during the cake cutting, so it’s always great to have a second angle.”

So, what setup did they use to light the cake cutting moment? The answer is: two B1 Off-Camera Flashes, wirelessly controlled with the Air Remote TTL-C. The off-camera flash to the right was equipped with an Umbrella Deep Translucent L while the one to the left had a Zoom Reflector on it.

When everything was in place, Justin got in front of the couple and took the traditional shot, while Mary went of to the side to get an alternative shot from a 120° angle.

Click play to dive a bit more into the details.

Previous episodes of Walk Through a Wedding can be found here. The next video will be released on November 3.

Read More

Using Strip Softboxes To Create A Dramatic Portrait on Location

Written by Andrea Belluso on . Posted in The Light Shaper

Bookmark and Share

Andrea Belluso is an experienced photographer with more than three decades in the business. Once a month, Andrea takes us behind the scenes of a recent shoot to share some of the knowledge he has gained over the years. This time he brings strip softboxes to a murky hangar to shoot an elegant yet dramatic portrait of an old friend of his.

Flying gliders and taking pictures are two of my greatest passions in life. Being able to combine these two passions is even better! So, needless to say, the day I photographed my old friend and flying instructor Peder Ek (who also happens to be a great photographer) at our flying club was a pretty awesome day at work.

As if that wasn’t enough, I wasn’t just taking Peder’s portrait. At the same time, I was also shooting the finest aircraft we have at our flying club – the two-seated glider Dou Discus. She is such a beauty!

Right from the start I knew I wanted the image to be an elegant and timeless yet dramatic portrait of an experienced pilot and his beloved flying machine. In short, I wanted something that made Peder justice. He is a thoughtful and straightforward kind of guy. The image should be the same.

So how did I do that?

Read More