Posts Tagged ‘B1’

Stunning On-Location Portraits of Seven Ethiopian Tribes

Written by Rebecca Ahremark on . Posted in Portrait Photography

Bookmark and Share
arnehodalic_1

© Arne Hodalic & Katja Bidovec

Inspired by the work of Edward S. Curtis and Richard Avedon, photographers Arne Hodalic and Katja Bidovec built a portable studio in Ethiopia with the goal to present the ethnic groups living on Eastern and Western banks of the Omo River and in the vicinity of Lake Turkana. In their trunk: The B1 Off-Camera Flash and a couple of Light Shaping Tools

Arne Hodalic, a slovenian photo journalist and photography teacher, tried a lot of professions (such as biology professor and skipper) before he decided to change his course and start to work as a professional photographer. He has been published in more prestigious magazines than you can imagine. Arne also works as a photo editor for National Geographic / Slovenia.

Katja Bidovec, an emergent photographic talent was Arne’s student at University of Ljubljana, later became his photo assistant and soon after, she started her own photographic career. Her passion is street photography but she works a lot in a studio and she took care of all the digital development of their Pristine Ethiopia project.

We had a little chat with Arne Hodalic about their new project, Prestine Ethiopia.

Read More

What’s The Difference Between Shooting in Studio and On Location?

Written by Jared Platt on . Posted in Lighting Tips

Bookmark and Share

What’s the Difference? is a series of video lighting tutorials. Each episode responds to a single question. In this episode, Jared Platt compares shooting in studio and on location. The entire series, including all videos, articles and lighting diagrams, is available at our website. And feel free to leave a question in the comment section if you have one!

I am an on-location photographer – my principal photography business (weddings) requires that. When I am in the studio, economy of lights and equipment is not too critical, but when I am flying to a wedding somewhere around the world, or setting up a bridal portrait on a cliff over the Grand Canyon, I need a balance of portability and power.

For this shot, we compared photographing in studio and on location using roughly the same gear: the Profoto B2 Off-Camera Flash with an Umbrella Deep Silver M. On location, this was the only light we needed. But in the studio we had to simulate the sun and the ambient light we would get on location, so we added two B1 Off-Camera Flashes into the mix.

Read More

Dan Bannister Shooting Raw Portraits Through Soft Light

Written by Dan Bannister on . Posted in Portrait Photography

Bookmark and Share
© Dan Bannister

© Dan Bannister

Dan Bannister is a Canadian commercial photographer and filmmaker. With more than 20 years in the business, he felt like he wanted to tell a different story with his photography. He stumbled upon the story of the modern blacksmith. Here is the story of what happened from there on, written by Dan himself.

I’ve been working on a personal project about blacksmiths for a couple of years now. I was originally looking for a photo project that would be different than the usual work I do day-to-day for clients such as ad agencies, fashion retailers and magazines. I wanted it to be something that would allow me to focus on simple portraiture in a raw and revealing way but still had a common thread that had room to grow and evolve.

One day, I was having a casual lunch with a friend who is a creative at an ad agency in Toronto and she mentioned that blacksmithing was a hobby of hers. This immediately fascinated me because I didn’t realize that blacksmithing was something people still did, let alone in a big urban center like Toronto.

Read More

On To Light Shaping: JP Elario Adds New Light to a Familiar Pathway

Written by Harley Anderson on . Posted in Videos

Bookmark and Share

On to Light Shaping is a new video series in which get to see 18 renowned portrait and wedding photographer create magic with Profoto Off-Camera Flash. In this video we join photographer JP Elario for a wedding portrait taken on a tree-lined pathway. When you are done watching, click here to see the rest of the series.

JP Elario is a second-generation wedding/portrait photographer based in Albany NY. His father started the business back in the 80’s, and JP – now 33, started shooting weddings when he was eleven.

Elario’s photograph of the bride and groom was taken on a tree-lined pathway he has shot on numerous times, though usually earlier in the day when the sun casts a warmer, low-angle wash of light across the scene. On this particular day, however, the hour was late and the sun had already dropped behind the treetops. With the light quickly fading Elario and his assistants got down to business.

Read More

On To Light Shaping: Dixie Dixon’s High Fashion Bridal Shoot

Written by Harley Anderson on . Posted in Videos

Bookmark and Share

On to Light Shaping is a new video series in which get to see 18 renowned portrait and wedding photographer create magic with Profoto Off-Camera Flash. In this video we join photographer Dixie Dixon for a high wedding fashion shoot in a cold and drafty Mill. When you are done watching, click here to see the rest of the series.

The term ‘location’ can mean warm, sunny days under clear blue skies or a cold, damp warehouse with no place to plug in the lights. For Dixie Dixon, a commercial, fashion, lifestyle photographer based in the Dallas/Fort Worth area, a recent high-fashion bridal shoot at the McKinney Cotton Mill in McKinney Texas took the latter track. Built in 1910 and shuttered in 1969, the structure has seen better days.

“The place is huge and there are hardly any outlets,” says Dixie. There wasn’t much in the way of heat either, and the drafty chill of the overcast day could be felt throughout the building. They couldn’t do much about the ambient temperatures, but they could do something about the ambient light. Without wasting time they began setting up their lights.

Read More