Posts Tagged ‘Commercial Photography’

How to Make a Dirty Car Shine Like a Winner

Written by Fredrik Franzén on . Posted in Commercial Photography

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 How to Make a Dirty Car Shine Like a Winner

Most of us associate car photography with chrome and meticulously polished metal. But the Porsche GT that Richard Dole shot had just won a 24-hour long Daytona race and was far from clean. It was covered in dirt and grit. Keep reading to learn how he got his shot.

The 24 Hours of Daytona is a 24-hour sports car endurance race held annually at Daytona International Speedway in Daytona Beach, Florida. Needless to say, the 24-hour long race takes its toll on the racecars. By the time they cross the finishing line, they are covered in dirt and grit.

This year, a Porsche GT from CORE Autosport in Rock Hill, South Carolina, was the first car to cross the finishing line. This car was also the one photographer Richard Dole was asked to shoot on behalf of RACER Magazine.

“This was an unusual assignment,” says Richard. “They wanted me to photograph the car still covered with the dirt, oil, rubber, grease and grime accumulated from the race. And it had to be photographed not in a studio, but in the winning team’s race shop.”

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Join Car Photographer Frederic Schlosser on His Epic Road Trip Through Europe

Written by Fredrik Franzén on . Posted in Commercial Photography

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Profoto Frederic Schlosser Roadtrip 1 Join Car Photographer Frederic Schlosser on His Epic Road Trip Through Europe

©Frederic Schlosser

German car photographer Frederic Schlosser is about to embark on an epic road trip through Europe. And you’re welcome to join him.

Part road trip and part photographic journey, the trip sees Frederic combining his two great passions in life: fast cars and flash photography.

Frederic and his friends will be driving through Europe in an Audi R8 and an Audi S3. Packed in the trunk are a couple of B1 off-camera flashesCar Chargers (connected to the car cigarette connector and used for charging the B1’s batteries ) and RFi Softboxes.

The goal: to shoot stunning images of these stunning cars in a number of stunning locations throughout Europe. If you’re familiar with Frederic’s previous work, you’ll have no doubts that he’ll succeed.

Follow him on his journey on his Facebook page and on his Instagram account.

This is not to be missed!

Andrew Link Shoots a $500.000 Car with the D1 Monolight

Written by Fredrik Franzén on . Posted in Commercial Photography

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Andrew Link is a New York-based photographer specializing in shooting expensive cars, celebrities and celebrities in front of expensive cars. A recent shoot involved shooting a $500.000 car with the D1 monolight.

The shoot was done last year in Japan for Rides – a glossy magazine dedicated to custom cars that will make your own wheels want to crawl in and hide under the bed. But Rides didn’t just want one image of one car. They wanted 161 images of 30 cars, of which the most expensive was worth $500.000. That’s enough to make any photographer go nervous. But Andrew pulled it off with style.

The shoot was two years in the planning and involved one Phase One camera with a 80 megapixel back and three D1 monolight powered by two BatPacs. Andrew used 10 & 80 mm lenses for the close ups and a 35 mm lenses for the full car shots and the interior shots.

Head over to Andrew’s website to see more of his work.

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The B1 Off-camera Flash on Heavy-Duty Use

Written by Fredrik Franzén on . Posted in Commercial Photography

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Profoto B1 off camera flash Dale Travers Fullframe Photographic 10 600x400 The B1 Off camera Flash on Heavy Duty Use

©Fullframe Photographics

Fullframe Photographics is an Australian team of commercial photographers, retouching artists and production assistants. One of the teams latest assignments involved shooting a dusty mine site during the hottest month of the year. For this they brought the B1 off-camera flash.

The BackPack M that photographer Dale Travers can be seen carrying houses two B1 off-camera flashes. Attached to the straps are a Magnum Reflector and a Zoom Reflector.

“Ultimately these flashes are the next generation of studio lights for location work,” writes Dale on the team’s website. “Size and weight capabilities of these new units means we can produce high quality work for our clients on location with minimal wight and they proved as reliable as the rest of our Profoto gear.”

The full article can be found here. Be sure to check it out.

You will find most of the stills and a couple of bts shots below.

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How Frederic Schlosser Made a Parked Car Look As If It Is Moving At 150 km/h

Written by Fredrik Franzén on . Posted in Commercial Photography

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“So you have a priceless Porsche race car to photograph for an ad campaign and you have to make it look like it’s driving really fast, but space is tight and you left your stunt driver at home. So how do you get the shot of this car driving fast while parked?”

That was the question that Fstoppers staff writer Douglas Sonders asked his readers a while ago. This video holds the answer to that question. If you haven’t seen it already – buckle up and prepare to be amazed as photographer Frederic Schlosser shows what you can achieve with a little know-how and of couple of D1 monoglights and RFi softboxes.

Head over to the Fstoppers site for the full story, including more information about the shoot and some behind-the-scenes shots.

Click here to see more of Frederic’s work.

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