Posts Tagged ‘Fine Art Photography’

How Alexia Sinclair Creates Her World of Make Believe with Hand Constructed Artwork

Written by Alexia Sinclair on . Posted in Fine Art Photography

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At this point, it cannot have escaped you that Australian fine art photographer Alexia Sinclair seems to have an inexhaustible source of imagination. But how does that imagination turn into an image? Well, that’s what you will find out here in Alexia’s own story of an enchanting shoot.

“It doesn’t have to be hard, I just make it hard.” Apparently I said those words. In a fleeting moment they escaped my lips and I would have long forgotten them had they not been recorded in the behind-the-scenes documentary. What I meant by that statement was the old adage “Life is a journey, not a destination” and while arriving at the destination is often extremely gratifying, it’s not without the journey that makes it so.

So with the journey in mind let’s take a look at the eponymous artwork Into the Gloaming.

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Alexia Sinclair Is Back With a New Photo Series Titled Rococo

Written by Fredrik Franzén on . Posted in Fine Art Photography

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Frequent readers of our blog know that we are big fans of Australian fine art photographer Alexia Sinclair‘s vivid, colourful and often flower clad imagination. So, naturally we are happy to have her back.

Alexia’s latest series is titled Rococo and features images inspired by, well, Rococo. “Following the design aesthetic of this period, the series is sensual, playful and flamboyant,” says Alexia.

The series features both still life images and the kind of intrinsically detailed portraits Alexia is known for, all lit with Profoto Pro packs. In addition, Alexia filmed a short video on the same theme.

You’ll find a few images below. The video is above.

Head over to Alexia’s website to see the rest and to be honest slightly NSFW images.

Also, there is an interview with her at 500px that you might want to check out.

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Zhang Jingna Walks Us Through a Personal Project, from Idea to Realization

Written by Zhang Jingna on . Posted in Fine Art Photography

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Zhang Jingna Walks Us Through a Personal Project from Idea to Realization Motherland Chronicles 50 Eurydice censor Zhang Jingna Walks Us Through a Personal Project, from Idea to Realization

© Zhang Jingna

Do you have an idea for a personal photo project but not quite sure how to turn it into reality? Then stop doing whatever it is you’re doing and join photographer Zhang Jingna as she tells the story of how her own personal project Motherland Chronicles evolved from idea to realization. Here is the story, in Jingna’s own words:

Having covered the process for a commercial assignment in my last article, this time round I’ll be talking about my approach to producing a personal shoot in a similar fashion, but starting earlier in the workflow, from conceptualization instead of simply receiving a brief, as one would a commercial job.

Before I begin, I’d just like to say that I see commercial and editorial work as a resume of a photographer’s skills and personal work as the mark of his or her identity. With this in mind, I think a photographer’s approach towards commercial and personal work should be separated as much as possible. Of course, things like style and aesthetics will naturally bleed into one another, which is fine, but concept wise, a commercial work should always be done with a client’s products or services in mind, whereas personal work should be something a person wants to express or share with the world, thus making it personal.

In this post I’ll be covering the approach and considerations I put towards a typical production for one of my personal shoots. Unlike commercial projects, there are no set rules and requirements for how you do it. We may all work differently and this is my take. I hope you enjoy the read. Read More

Derek Galon Recreates a Classical Painting with a Clever Use of Flashes and Softboxes

Written by Fredrik Franzén on . Posted in Fine Art Photography

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Derek Galon Recreates a Classical Painting with a Clever Use of Flashes and Softboxes

©Derek Galon

Canadian photographer Derek Galon has always been fascinated with classical painting. But it wasn’t until a friend of his had a crazy idea that he realized how to use flashes and softboxes to combine his fascination with painting with his love for photography. Here is the story of how he did it, in his own words.

I love old paintings and have been fascinated with them for many years. But only recently, after decades of photographing, did I feel confident enough to try and recreate the type of light and mood such paintings have. It started with a suggestion by a friend, professional model Michael Ward, who wanted to shoot a Bacchus scene similar to those painted by Titian. At first i thought it may be an overwhelming project, but I decided it will be a fine challenge worth a try. All next shoots followed thanks to this first one being a success.

I’ve been lucky to have access to a large studio necessary for such multi-model setups. The studio is owned by my friend, a brilliant photographer and a lighting wizard: Jon Hoadley. Thanks to his kindness I also have access to high-end lighting system: the Profoto D1 Air and plenty of Light Shaping Tools. Without his generosity, none of these images would exist today. Casting models for this series has been easy for me. I mostly use my friends as models, experienced art photographers along with some younger aspiring models and friends from art industry, a stage makeup artist, costume designer, a fine painter, and so on.

The whole Painterly series is rather diversified, but several images are shot in style of old Flemish paintings. The one we use here as example for my lighting, is my homage to Adrjaen Brouwer – a fine painter who specialized in rough tavern scenes. He was well respected and one of Rembrandt’s favourites. To create image with distinctive feel similar to these paintings, one needs to study them and analyze separate elements. I would use a somewhat simplified list of these elements: styling, the whole scene composition and micro-scenes, plot and interactions, and lighting. Read More

Aaron Conway Dances with The D1

Written by Fredrik Franzén on . Posted in Fine Art Photography

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©Aaron Conway

Cincinnati-based fine art and commercial photographer Aaron Conway was challenged to introduce the city’s ballet to a new and younger audience. His solution? Shoot the ensemble dancing in a location where the kids actually hang out.

Different photographers have different needs and different preferences. There are quite a few who value being able to shoot fast and on the fly. But there are also photographers such as Aaron Conway who prefers taking it slow and getting deep into the details.

“Patience is essential,” says Aaron. “Taking the time to build the right set and working on the lighting is critical. I’m always my worst critic and have realized that if you rush a shot you’ll always see it in the image.”

It is a surprising stance, considering some of the stuff that Aaron shoots. For instance, getting deep into the details seems to be a difficult thing to do when shooting the bustling activity of the Cincinnati Ballet.

“I like working with images that have more focused lighting,” replies Aaron when asked about the thinking behind his lighting setup. “There may be fill lights or accent lights, but I try to always have a strong main light in my images. I’ve always been drawn to images in which you can see the direction of the light. I think it creates an identity in the image, as if you were looking through the photographer’s eyes, seeing what they see.” Read More