Posts Tagged ‘RFi’

Our Webinar on How to Use Light as An Element Was Recorded and Is Now Available as a Video

Written by Rebecca Ahremark on . Posted in Videos

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On October 22, we did a live webinar with Jared Platt on how to use light as an element in real weddings. Did you miss it? Don’t worry. The webinar was recorded and is now available as a video.

In this webinar, Jared Platt show you how to light all those different situations that can happen during a wedding. You will also get to see what tools Jared is using.

Profoto hosts free webinars once a month. The next one is scheduled for November 19. Click here to sign up, and we’ll send you a friendly reminder when the next one is about to start.

All previous webinars are also available on the same page. There is one on dramatic night portraits, one on senior portraits and one on how to create a beautiful light in harsh conditions, to name just a few examples.

For more information about the B1 off-camera flash and the other Light Shaping Tools Jared is using in this video, click here.

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Blair Bunting Show Us How to Light a Football Player

Written by Rebecca Ahremark on . Posted in Sports Photography

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Blair Bunting Show Us How to Light a Football Player Blair Bunting ASU 2 600x345 Blair Bunting Show Us How to Light a Football Player

©Blair Bunting

Being an established advertising photographer and a Nikon and Maurice Lacroix Ambassador, Blair Bunting sure knows how to light. In a recent blog post, titled How to Light a Football Player, Blair shares some of that knowledge.

“Let’s talk about lighting, specifically for mood,” writes Blair on his blog. “The eye finds discomfort and intimidation in the unknown and the unknown is where the light is not. The approach to making a subject intimidating should not be a mass of lights cranked to 11, but a single focus of direction where one light dominates and the remaining support the fear. An example of this that I shot a while back is this portrait of a football player.”

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The Question that Got Portrait Photographer Rémi Chapeaublanc to Get on a Motorbike and Drive to Mongolia

Written by Fredrik Franzén on . Posted in Portrait Photography

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French portrait photographer Rémi Chapeaublanc travelled all the way from Paris to Mongolia, driven by the desire to find the answer to a deceptively simple question: “who is this person standing in front of me?”

“I often end up doing projects which are kind of crazy,” says portrait photographer Rémi Chapeaublanc. And he is not exaggerating. After having his motorcycle license for just two weeks, he packed his camera, an AcuteB2 battery pack, an Air Sync and an RFi soft box, and started driving towards Mongolia.

After he had reached his destination and spent some time with the Mongolian people, an idea started to form in his head. He was going to take their portraits, one by one, with the same process and the same setup. The idea was that by keeping it simple, he would be able to focus on the person in front of the camera, see beyond the surface and ask himself: “who is this person?”

An inspiring ambition and a great testament to the power of portrait photography.

See more of Rémi’s work at his website.

 

Portrait photographer Remi Chapeaublanc gods and beasts 1 600x399 The Question that Got Portrait Photographer Rémi Chapeaublanc to Get on a Motorbike and Drive to Mongolia

©Rémi Chapeaublanc

On Location Portrait Photography at the Back of the Stage

Written by Fredrik Franzén on . Posted in Portrait Photography

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 On Location Portrait Photography at the Back of the Stage

©Adam Krause

On location portrait photography often requires intuitive thinking and fast decisions. But Adam Krause’s portrait of playwright Kwame Kwei-Armah is evidence that doesn’t have to be a bad thing.

New York-based portrait photographer Adam Krause was asked to photograph playwright Kwame Kwei-Armah at the Center Stage in Baltimore, where Kwei-Armah is the Creative Director. The images were to be published together with an upcoming magazine article, but as Adam did not know the angle of the article, he decided to go for a strong portrait that tied together Kwei-Armah with the theatre.

This meant that Adam had to shoot on location. Things were further complicated by the fact that he had only 30 minutes with Kwei-Armah to get his shot. “The biggest challenge was the lack of time,” says Adam. “Since this was an out-of-town shoot, we didn’t have enough time to arrive the day before, do a location scout, and come up with a game plan. So the very second we arrived at the location and brought in our equipment, we had to think as sharply as possible!”

 

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Mark Wallace’s Lighting Tips for Shooting On-location at Mid-day

Written by Mark Wallace on . Posted in Lighting Tips

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Mark Wallaces Lighting Tips for Shooting on Location in mid day Mark Wallaces Lighting Tips for Shooting On location at Mid day

©Mark Wallace

Shooting portraits on-location can give you terrific results. If the light is right things are a snap, but what happens when we have less than ideal conditions? With a bit of knowledge, and the right tools, you can even shoot outside at almost any time of day. A few months ago I was faced with a challenge. I needed to shoot a portrait using soft light the harsh desert light at mid-day. The light was absolutely horrible. Here’s how I tackled the issues.

 

Step One: Control the Ambient Light.

Screen Shot 2014 01 10 at 9.35.22 PM 600x358 Mark Wallaces Lighting Tips for Shooting On location at Mid day

The first thing I do when shooting on-location is to control the ambient light as much as possible. In this scenario I was shooting in an area with no shade at all. I set up a large translucent umbrella to shade my model. This softened the light and also took my exposure on the model down by about one stop. You can see in this photo that my model is in shade but the background is still in the sun.

I used my light meter to find the correct exposure for the background. In my test shot you can see that the background is exposed properly but my model is underexposed. An underexposed model means I would be able to use my flash to shape the light hitting her. This was shot at ISO 100, 1/200 @ f/11. Read More